Monday, June 10, 2019

First Person Narrators

Novels narrated in the first person are super fascinating to read because they make for a very immersive experience since we are, in effect, inside the storyteller's head.

Writing a first-person narrator, however, can be tricky, since two different narrators witnessing the exact same event would give us two (sometimes very) different stories.

As a result, it's a limited and nuanced perspective (some might even say it's "self-centered").

With first-person narrators, opinions/viewpoints affect everything. Everything the character tells us has some kind of meaning (otherwise, why would they say or think it?). The details included are the ones the narrator feels are most important, and this adds a new depth to the story being told (especially if the reader is unsure if the narrator is trustworthy). 

What kind of information is being presented? How is it being presented? What is the character leaving out and why? How do the other characters feel about this? The first person narrator, after all, can't tell us what others are thinking and feeling. They can infer, but there's never any certainty. 

Think about the story you want to tell, then imagine putting on a pair of glasses with blue-tinted lenses (representing your narrator's point of view). Once the glasses are on, everything you see will be affected in some way. The sky would still be blue, but a deeper shade. The trees that had green leaves would now have a prussian tone. Sand might be powder blue. It's still the sky and trees and sand, but the lens affects how it appears according to the narrator's thoughts, feelings, and opinions.


Your Story






Your Story According to Gary (or Rose or Emma)





If you're going to tackle the first person narrator, remember to put on those color-tinted glasses. It isn't about how you feel or your reactions, but how your narrator feels and reacts.

(It goes without saying that this requires knowing a lot about who your narrator is before you ever begin writing.)

Be Brilliant!

~Katie~


Monday, June 3, 2019

Five Ways to Ruin Your Story

I spend a lot of time on this blog talking about what we can do right in our writing (or how to make what's not working work again).

But what about the flipside?

Whether you're writing page one or three hundred and one, here are five easy ways to ruin your story: 

1. There's no clear protagonist.

On page one we have Bob and Betty and Mildred and Flo. Bob is pissed at Mildred and she and Flo are icing out Betty, and then Ricky comes along and decks Bob for no reason at all, and Oh My God I have no idea who I'm supposed to pay attention to or even root for in this situation.

It's okay to start your story in the middle of the action; it's not okay to throw tons of information at your reader at once. If people are yelling and tossing punches on page one, it needs to be made absolutely clear that Ricky is the hero of this tale.   

2. The protagonist doesn't have a goal.

We know we should be paying attention to Ricky, but we have no clue what it is that he wants (except to punch Bob in the face). Maybe he doesn't even know . . . though wanting to know is, in fact, a goal. . . . but I digress. It should be very clear within the first few pages not only who your protagonist is, but what he's working toward. This, of course, can change as the narrative progresses, but readers subconsciously pick up a book with the resolution in mind. How will we know the story has ended if we don't know when Ricky has accomplished what he set out to do or even what, exactly, he wants to accomplish?    

3. There's no inner conflict.

Sure, Ricky is great at throwing punches, and he clearly hates Bob, but if he's the same person on page three hundred as he was on page one, then the reader is likely to feel cheated. Along with an outer conflict, there should be an inner conflict. After a litany of fight scenes, a story where Ricky hangs up his boxing gloves and turns to meditation to control his anger might be a journey worth following.  

4. The plot doesn't align with the goal.

We know about Ricky and his beef with Bob. We know he's intent on bringing Bob down. We know he has anger management issues he's trying to deal with. Now the plot (or the scenes that follow) needs to show a realistic progression from where Ricky is at present to who he's going to become. If you lose sight of the story question, the reader will be left scratching his or her head, wondering what shopping for leeks at the grocery store has to do with anything. (The answer? Nothing. Leave it out.)  

5. The character isn't believably attached to the goal.

Ricky says he wants to stop fighting with Bob, but he's made zero progress and we're moving into the final chapter of the story. Are we sure that's what he wanted? You know I love a good plot twist, but even these need to feel inevitable.

No protagonist, no goal, no conflict, irrelevant commentary, no attachment to the ultimate outcome. . . . These are five of the best ways to ruin your story for the reader. . . . 

Unless, of course, you write esoteric literary fiction. 

In that case, #$%! the rules.

Be Brilliant!

~Katie~ 

Monday, May 27, 2019

First Pages: A Checklist

For this post, I'd like you to grab the first page of whatever story you're currently working on.

Just the first page.

Go on. I'll wait here.

*whistles*

Got it?

Read it.

All done?

Now answer the following questions based on this single page.

1) Is it clear who is telling this story, or who the story is about?
2) Is something happening?
3) Is there a conflict present in what's happening?
4) Is something clearly at stake for this character?

If the answer to any of these is "no," revise accordingly until that "no" becomes a "yes."

Your first page is important. It's the foundation for reader interest (that is, it determines if the reader will continue reading).

The traditional rule of thumb says that if you haven't grabbed the editor's attention in the first five pages of your manuscript, they'll likely pass. Why take the risk?

Set the stage on page one for everything that will follow, giving your reader no choice but to keep reading all the way to The End.

Be Brilliant!

~Katie~ 

Monday, May 20, 2019

Story Deconstructed

What is a story?

According to Lisa Cron, "a story is how what happens affects someone who is trying to achieve what turns out to be a difficult goal, and how he or she changes as a result."

Broken down: a story is how what happens [plot] affects someone [protagonist] who is trying to achieve a difficult goal [story question], and how he or she changes because of it.

I've written about the story question before.

The takeaway here, though, is that a story isn't just something that happens, or something that happens to someone, or even something dramatic that happens to someone. More structure is required if the reader is going to close your book with a sigh of satisfaction.

But there's a formula, and if you can keep these key elements in mind, you'll be in a better position to write a successful story.

Story = plot + protagonist + resolved question/problem.


For further reading on this, I highly recommend Cron's Wired for Story.

Be Brilliant!

~Katie~

Wednesday, May 15, 2019

On Failure

I love this idea from Brene Brown (which Liz Gilbert echoes) about trying and failing creatively. 

The old adage is:

What would you do if you knew you couldn't fail?

The question that should be asked is: 

What's worth doing, even if you fail?


"The only unique contribution we will make 
in this world will be born of creativity."

~Brene Brown~

Monday, May 6, 2019

In Full Disclosure

Warning: Honesty Ahead

Release weeks stress me out. 

Promotion stresses me out. 

Tweeting "buy my books!" stresses me out. 

Why? It feels too much like a whistle in a hurricane. A shout into the void. There's so much *white noise* that I don't even know where to begin to make myself stand out in the crowd. 

I get that it's a necessary part of #indie authoring, but I hate begging. I feel like I'm bothering people. (Buy! Share! Re-Tweet! Review!) I feel like *that* author, and I don't want to be. I also don't have the marketing budget or audience to gain any kind of traction in such a saturated marketplace, though I'm *so* thankful for the few cheerleaders I do have and can always count on to help spread the word. 

In full disclosure, this is what my indie career looks like (according to Amazon, at least):




this image is not available



*sigh*

I miss August 2012 the most, where I sold over 4,500 units . . . but some things in this world are just beyond my control.

What do I have control of?

Writing.

So . . . I wasn't quite sure where I wanted to go after ALL I NEVER WANTED.

I've slowly come to realize that I'm not as passionate about YA literature today as I was in the past, and I wondered if this meant it was time to spread my wings and try something new. 

I still don't know, actually. 

But I do know that on Friday I opened up a file on a story I'd plotted a couple of years ago. I know the characters, the setting, what's going to happen--it's all there laid out for me.

I just went in to take a look, but I saw in one document that I'd already written a first line.

The wheels began turning, and almost immediately I had a first paragraph. Then I had a first page. 

I don't quite recognize this voice. It's still me, but different. More grown up, maybe? 

I don't know. I don't know how this book is going to turn out or where it's going to fit into the market or if I should even care about the market at all. 

I'm writing again.

And it feels so, so good.

At the end of the day, I love what I do--it still brings me joy. Sure, my audience isn't as big today as it was in the past. The truth is that I might have "peaked" with CROSS MY HEART. But there are a few of you out there, and you've not hesitated to tell me that my stories still bring you joy (and move you to tears). 

A small difference, but a difference nonetheless.

Someone out there, when asked who their favorite author is, just might say "Katie Klein."

And, in this industry, it seems selfish to ask for anything more than that.

Be Brilliant!

~Katie~

Monday, April 29, 2019

It's Release Week!

Well, thanks to a delay at Amazon and a weekend internet outage, release "day" has officially become Release Week!



Yes! All I Never Wanted is LIVE and ON SALE (the $.99 Amazon price tag is temporary, so get it while you can)! 

Here are the buy links for the various outlets:


Also, in honor of this hot new release, Rise (last year's book) is FREE on Amazon and Kobo for a limited time (and $.99 on Nook).






What can you do to help?

Well, if you've read it, reviews are definitely helpful right now, since they encourage other people who might not be familiar with my stories to take a chance:

As always, Klein's beauty is in the unpredictable ending which delivered the justice this story and the characters deserved. . . . Katie Klein KNOWS how to do romance. –★★★★ Michelle (Goodreads)

Retweeting/Sharing my posts is also a nice way to spread the word! Make sure you're following me on FB and/or Twitter.

Also, if you're on Goodreads, feel free to add it to your "To Read" list.

Tweets and Facebook posts help, too, so don't be shy about telling your friends (and be sure to tag me in any posts so I can send you all the *thank you's* and *hearts*).

ALL I NEVER WANTED (@katiekleinbooks) is now available! (And, at #99c the lowest price it’s going to be.) Trent ♥ Summer #yalit #romance #kindlebargain #bookbuzz #whattoread https://www.amazon.com/dp/B07R63RWNC

*Whew*

Promo wears me out, y'all. 

I have one last ridiculously busy grading week, and then I can slowly ease into summer. I'm already itching to start something new--if there's anything I've learned in the last 10+ years, it's that I can't not write for very long. It's just not a good look for me. :P

Be Brilliant!

~Katie~